"Roberts has not only confirmed that he is one of the vital choreographers at work and one of the most spellbinding makers of dance film-he has confirmed that he is an artist. And for people who care about art, that is a sign of hope." -
Brian Seibert, New York Times
New York Times
Los Angeles Times
Los Angeles Times
At Ailey, a Dance Set to Coltrane Finds a Somber Radiance
Los Angeles Times
Los Angeles Times
Los Angeles Times
How a recurring dream informed choreographer Jamar Roberts’ new work with L.A. Dance Project
New York Times
Los Angeles Times
New York Times
A Dance About the State of Emergency We’re In
VanityFair
New York Times
New York Times
“I Don’t Make Dance For Myself”: Jamar Roberts on Choreography, His Days at Alvin Ailey, and What Comes Next
New York Times
New York Times
New York Times
A Dance About Gun Violence? ‘Ode’ Is Daring and Delicate
New York Times
New York Times
New York Times
At City Ballet, Jamar Roberts Brings Fresh Air to a Fashion Gala
New York Times
New York Times
New York Times
Space Age Blues and the ‘Dancing Spirit’ of Judith Jamison.
New York Times
New York Times
New York Times
A Protest Set to Banjo: Jamar Roberts’s Dance for Hard Times
New York Times
New York Times
New York Times
Sara Mearns and Jamar Roberts Know This: Dance Is Tough Love
New York Times
New York Times
New York Times
At Alvin Ailey, a Quiet Disrupter With No Time for Tears
New York Times
New York Times
New York Times
Review: Parsons Dance Spins and Darts Through Miles Davis
Dance Magazine
New York Times
New York Times
Jamar Roberts’ Astonishing Dancing Is Matched By His Mesmerizing Choreography
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